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Marc Quinn's Siren at the British Museum (Kate Moss)

Marc Quinn remembers his visit to the Tutankhamun exhibition at the British Museum. He shares his delight in coming back to exhibit a work inspired by that experience and the surrounding ancient Greek sculpture. Curator Peter Higgs draws parallels with ideal female nudes created in 4th-century BC Greece.

Quinn’s fascination with our attitudes towards female beauty has repeatedly led him to ancient Greek art. His new sculpture, Siren, is of the model Kate Moss and is made entirely out of gold. Quinn presents Moss as a modern-day Aphrodite reminding us that Moss's likeness has become as iconic as the goddesses of the ancient world. © Trustees of the British Museum.
Created by British Museum.

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  • hopper cool style avatar for user Madeliv
    Is it just me or is there a discrepancy between what the movie says and the work of art itself? Wouldn't a cobra-like yoga pose have been more appropriate (in light of his comment @ "and to me it's like a sphinx") instead of this "knot" (where the female figure is immobilized and presented to the (male?) viewer? I find her contorted body not in any way resembling that of the Greek nudes shown, the statue is due to the (material and) composition more like an (alien?) object not 'the ideal female nude'. (To be honest, I find it a rather uncomfortable piece to look at.)
    (7 votes)
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    • aqualine ultimate style avatar for user Flanny
      I absolutely agree, I find this a very disconcerting piece of art. The voice-over says Venus would have been insulted if she had been presented in this way. I am not sure why, then, this person thinks this is a good way to display a 'modern goddess'.
      (1 vote)
  • female robot ada style avatar for user Kimberly Hemphill
    Do we know what Kate Moss's reaction to this statue is?
    (3 votes)
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  • female robot ada style avatar for user jamie  Musso
    Does anyone else have a problem with buffering in the video?
    (1 vote)
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Video transcript

It's very interesting to show this sculpture in the British Museum because it's where I remember seeing the mask of Tutankhamun in 1970s and that was one of the most important images for me and to kind of come back with the work inspired by that is great As far as I know it's the largest gold statue certainly since Antiquity and probably ever It's fifty kilos which doesn't sound very much but in fact in a cast statue that is a lot all those Egyptian statues are hammered sheet which is a different kind of thing to being cast This sculpture isn't a sculpture of Kate Moss the person it's a sculpture of Kate Moss the cultural hallucination and to me it's like a sphinx To put her in this yoga pose was a bit like a knot I don't really know what it means but it means something that collectively we've all decided it means The Greeks of course were famous for their male nudes and were only just getting to grips with the female nude in the fourth century BC when these statues from the Nereid Monument were made but there were some famous perhaps courtesans who modelled for sculptors and they were really making not portraits of these models but using them as the ideal female nude Venus, showing her nude would have been one thing showing her in a kind of contorted pose may have slightly offended her and if you offended the gods you were in big trouble What's wonderful about bringing contemporary sculptures into galleries with ancient art is that people look very closely at contemporary sculptures and they pick out different details on them and with ancient sculptures, particularly from architecture they perhaps see it as a whole Hoping now that people will look at the figure of Kate Moss and then walk around the gallery and start getting perhaps a little bit more intimate with our sculptures as intimate as they can before they get shouted at by the guards The fact that the sculptures in the British Museum shows that we have gods and goddesses just like Romans, Greeks and Syrians but perhaps sometimes we're not aware of the position that they fit in our psyche I think that you get context and context for our own belief systems you walk in here you see the Venus in front of it you see all the amazing myriad sculptures around it and you realise that in a way people change but they're always the same