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Course: The Metropolitan Museum of Art > Unit 2
Lesson 1: Q&A- Why does design matter in arms and armor?
- Why is writing so important in Islamic art?
- What's the story behind the world's oldest piano?
- Were there superheroes in the ancient world?
- What's at the Met for sports fans like me?
- What's that artist making in the galleries?
- Is there more than one way to see a work of art?
- Can I learn about Greek mythology at the Met?
- How were mummies made in Ancient Egypt?
- How did they get all this stuff into the museum?
- How can I recognize ancient Greek architecture?
- How does the Met decide how and where to hang the art?
- Can doodles be art?
- What's special about these galleries?
- How does the museum take care of all the armor?
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How did they get all this stuff into the museum?
Art comes in all shapes and sizes. Have you ever wondered how the Met fits it inside the building? Find out with Tobias, age 9.
Video transcript
#metkids The Metropolitan Museum of Art How does The Met get all this art
into the museum? Tobias, age 9 ♪ (Hindi music) ♪ <i>(Tobias) I've always been fascinated
by how science works.</i> You have to use science
to construct things, like physics. Hello, I'm Tobias, and I'm nine years old. I'm Aileen Chuk. I'm the chief registrar
here at the Metropolitan Museum. What does "registrar" mean? We're in charge of all the art that comes in or out of the building. How do you fit all the artwork
through the doorways that are only like-- Sometimes, it's really, really difficult. <i>(Tobias) How did they fit this in here?</i> <i>Would they take apart this building</i> <i>and then build it up again?</i> <i>(Aileen) That's exactly
what they did, actually.</i> <i>You can see that the building
is made out of blocks of stone,</i> <i>and before we moved it,
each block of stone was numbered.</i> <i>And so, all we had to do was take it apart</i> and put it back together again. So, it's like one, two, three,
they took that apart, and then they put one, two, three,
back in order again? <i>(Aileen) True. At least this breaks down
into a lot of small parts.</i> You're lucky with that. - I know I'm lucky with that.
- But what about huge paintings that are-- <i>(Aileen) Exactly right.</i> <i>And how about that big Egyptian sculpture</i> <i>that's in the Great Hall?</i> <i>He's ten tons.</i> Whoa! He just came in the Museum
two years ago. - Really?
- Yes, he came from Berlin. (Tobias) <i>Awesome.</i> <i>(Aileen) We brought it in
at six o'clock in the morning.</i> And you probably ended
around eight o'clock at night. We ended at midnight. <i>Because-- you've learned
a little bit about physics, right?</i> A little bit. So we have to worry
about the floors in the Museum. You don't want to crack the floors. <i>(Aileen) Because you have to worry
about floor loads.</i> <i>Do you know what floor loads are?</i> -- Like, there's weak spots--
-- Exactly, exactly. <i>So in order to move it,</i> <i>we had to spread the weight
of that sculpture.</i> You had to cut it in half? Well, what we did was, <i>we moved it a couple of inches at a time.</i> <i>We put down wood,</i> <i>and then we put down steel plates.</i> <i>And we had to wrap him up,
put straps on him,</i> <i>and then we had to stand him up.</i> <i>We did all of that in one day,</i> on a Monday when the Museum was closed. That's smart. <i>(Aileen) See, now the Museum
is open seven days a week,</i> <i>so I guess he has to stay there
for quite a while.</i> - Yeah. Yeah.
- (laughing) what's your #metkids question? If there's a small piece
that's hanging off, gravity will pull down on that piece, and the entire building will go "timber!". That's an excellent explanation. - Thank you, Tobias.
- You're welcome. ♪ (Hindi music) ♪